I somehow had to catch your attention, didn’t I?
(Plenty of gut feeling and pointless ranting to follow.)
It has been a matter of debate for some time, whether the writings on the VM’s last page, f116v, is a part of the original manuscript or “extraneous” writing which has been added later — perhaps denoting an aborted solution attempt by a later would-be decipherer. This is supported by the mix of apparently latin and Voynichese characters.
I can’t really figure this. It wold be extremely unwieldy to work out a translation on the back of the very book one tries to decipher. I’d also expect more notes and scribbles on such a worksheet than there actually is.
What speaks for the “Michitonese” on f116v being written by the original author?
The illuminations on the top left of the page do. The style of the reclining woman, the odd creature*), and the heart-shaped object all very much resemble the other illustrations in the VM. (Compare, for example, with the “dead woman” on the bottom of f66v.) If you look closely, you’ll even find some VM characters half-hidden in the middle of this illustration, which makes it almost certain that the pictures on f116v were drawn by the original artist.
(See also here for a discussion of the ‘dead woman’.)
Then there is a tear on the vellum of this pages which shows sewing marks, which makes it look like somebody tried to keep the end with the illustrations attached to the main page. (f116r has no content in this corner of the page which would require saving.) If someone later had drawn the picture, he would have been wiser to use the free space on the page, rather than the shred prone to be torn off.
Also, the handwriting of the VM characters on this page very closely matches the manner of the rest of the corpus.
But if we assume the original author/artist sketched this doodle, he apparently had a reason to put woman, sheep, and ace of spades on the margin of the page. It was according to a plan — he needed the center part of the page, namely for his text.
And what did he write there? One school of thought holds it that the scribblings on f116v are actually a key to decipher the VM. Though I wish this were the case, this would be a bloody stupid thing to do by the VM author: The safety of any encryption lies in the secrecy of the method and of the key. Giving away the key would severely compromise the secrets hidden in the VM the minute somebody divined or guessed the enciphering method. And I simply think he was more clever than that.
Was it a decipherment attempt by The Man(tm) himself? I figure a scenario where he has devised his method, enciphered a short sample text and then deciphered it again to see if his method worked.
Assuming that the actual method is fairly simple, he wouldn’t have needed the notes, failed attempts, etc anyone who is just trying to find out which mechanism is used would inevitably have jotted down. And the author’s sample text could have been on a different piece of paper, making it more convenient to work out the plaintext on f116v.
This would also explain why the Michitonese is unreadable. Either The Man was a bit inept with his own device, or — more plausibly — f116v is an early attempt which showed that the Mk I of his algorithm was lossy, and the plaintext couldn’t reliably be retrieved. (This could also explain the ciphertext letters remaining in between latin letters — perhaps they couldn’t be unambiguously deciphered anymore.) Subsequentely, Mk II was developed, and the VM written in this cipher.**)
(Still, this doesn’t explain the drawings on this page and their positioning.)
Much of madness, more of sin, and horror the soul of the plot…
*) I still vote for a sheep or a lamb.
**) A slightly more disturbing alternative is that the failed decipherment attempt was performed by the author after the whole of VM was written. Meaning that, whatever was in there, was lost, because the algorithm didn’t allow perfect retrieval anymore.